04172nam a2200637Ia 4500 991106936646806196 20260128124206.0 m o d cr#cn||||||||| 111013s2012 nyu ob 001 0 eng d 9780415898942 10.4324/9780203343098 doi (CKB)2670000000203542 (OCoLC)795123444 (CaPaEBR)ebrary10566980 (SSID)ssj0000696193 (PQKBManifestationID)11441301 (PQKBTitleCode)TC0000696193 (PQKBWorkID)10678517 (PQKB)10477159 (SSID)ssj0000691698 (PQKBManifestationID)12264326 (PQKBTitleCode)TC0000691698 (PQKBWorkID)10635336 (PQKB)11327447 (MiAaPQ)EBC958779 (Au-PeEL)EBL958779 (CaPaEBR)ebr10566980 (CaONFJC)MIL364169 (OCoLC)798530361 (OCoLC)724641133 (FINmELB)ELB139094 (OCoLC)1264209439 (CaBNVSL)9780203343098 (CaBNVSL)BP9780203343098BM&S (EXLCZ)992670000000203542 EBLCP eng rda CaBNVSL CaBNVSL eng Music, sound and filmmakers : sonic style in cinema / edited by James Wierzbicki. First edition. London, England : Zed Books, 2012. [London, England] : Bloomsbury Publishing, 2021 227 pages Routledge music and screen media series Bibliographic Level Mode of Issuance: Monograph Includes bibliographical references and index. Sonic Style in Cinema — Music, Sound, and Silence in the Films of Ingmar Bergman — Andrey Tarkovsky; The Refrain of the Sonic Fingerprint — “It’s All Really Happening”: Sonic Shaping in the Films of Wes Anderson — Kieślowski’s musique concrète — Gus Van Sant’s Soundwalks and Audio-visual musique concrète — Blowin’ in the Wind: Music and Meaning in the Coen Brothers’ Films — Sound and Uncertainty in the Horror Films of the Lewton Unit — Conducting the Composer: David O. Selznick and the Hollywood Film Score — The Stanley Kubrick Experience: Music, Firecrackers, Disorientation, and You — The Filmmaker’s Contract: Controlling Sonic Space in the Films of Peter Greenaway — The Attractions of Repetition: Tarantino’s Sonic Style — Dream Timbre: Notes on Lynchian Sound Design. Chapter 8 Sound and Uncertainty in the Horror Films of the Lewton UnitChapter 9 Conducting the Composer: David O -- . Selznick and the Hollywood Film Score; Chapter 10 The Stanley Kubrick Experience: Music, Nuclear Bombs, Disorientation, and You; Chapter 11 The Filmmaker's Contract: Controlling Sonic Space in the Films of Peter Greenaway; Chapter 12 The Attractions of Repetition: Tarantino's Sonic Style; Chapter 13 Dream Timbre: Notes on Lynchian Sound Design; Lists of Contributors; Bibliography; Index. Music, Sound and Filmmakers: Sonic Style in Cinema is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieślowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music coursework, or stand on its own among a body of research. English Motion picture music. 26703 Sound in motion pictures. 26704 Wierzbicki, James Eugene, editor. 26705 Routledge music and screen media series. lcc 0 0 lcc 0 0 TBS TBS 2026-01-28 0 ML2075.M87 MUS 2026-01-28 1 2026-01-28 1 SOON AVAILABLE 5314 5314