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  <titleInfo>
    <title>The Restless Spirit</title>
    <subTitle>: A Scene by Scene Study of Goethe’s Faust</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Kline, A.S.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Blake, William</namePart>
    <namePart type="date">1757-1827</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">Luxembourg</placeTerm>
    </place>
    <publisher>CreateSpace Independent Publishing Platform</publisher>
    <dateIssued>2015</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <language>
    <languageTerm authority="iso639-2b" type="code">Eng</languageTerm>
  </language>
  <language>
    <languageTerm authority="iso639-2b" type="code">lis</languageTerm>
  </language>
  <language>
    <languageTerm authority="iso639-2b" type="code">h</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>148 pages</extent>
  </physicalDescription>
  <abstract>The Restless Spirit is a scene by scene commentary on, and a detailed analysis of, Goethe’s Faust Parts I and II, which considers the Romantic background of Part I, the move towards Classicism in Part II, and the moral and spiritual issues which Goethe raises throughout the work. In grappling with the complexity of the emerging Romantic Movement with its restless intellectual urge, and later in attempting a resolution of the Romantic situation, Goethe was handling many of the deepest problems of his age, and it is not surprising that he was forced to leave many issues unresolved. The reader who wishes to progress beyond a simple contemplation of the tragedy of Gretchen in Part I is presented here with a detailed discussion of Faust’s Romantic beginnings and later progress towards potential fulfilment, through his intricate pact with Mephistopheles and its dramatic outcome. While encouraging a positive view of the richness, poetic validity and complex treatment Goethe provides, this analysis does not shirk the more problematic moral, spiritual and social aspects of Goethe’s treatment of the subject, and leaves the reader to make his or her own judgement as to the success with which Goethe justifies Faust’s ultimate ‘redemption’.</abstract>
  <note type="statement of responsibility">/ A. S. Kline with selected illustrations by William Blake.</note>
  <subject authority="lcsh">
    <name type="personal">
      <namePart type="termsOfAddress">1749–1832.  Faust</namePart>
      <namePart>Goethe, Johann Wolfgang von</namePart>
    </name>
  </subject>
  <subject authority="lcsh">
    <topic>Faust (Legendary character) in literature</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Romanticism — Germany — History — 18th century</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Good and evil in literature</topic>
  </subject>
  <identifier type="isbn">9781511508711</identifier>
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    <recordCreationDate encoding="marc">260316</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260316110624.0</recordChangeDate>
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