000			03107pam a2200409 i 4500
001			8857038
003			CaAEU
005			20240319104106.0
008			190123t20192019ncu b 001 0 eng c
010			_a 2018055385
020			_a9781478004288 _q(hardcover ; _qalk. paper)
020			_a1478004282 _q(hardcover ; _qalk. paper)
020			_a9781478004882 _q(pbk. ; _qalk. paper)
020			_a1478004886 _q(pbk. ; _qalk. paper)
035			_aon1055684314
040			_aNcD/DLC _beng _erda _cDLC _dOCLCF _dCDX
042			_apcc
043			_acc-----
050	0	0	_aML3917.C38 _bS68 2019
082	0	0	_a306.4/842409729 _223
090			_aML3917 .C38 S68 2019 _bAEGMCT
245	0	0	_aSounds of vacation _b: political economies of Caribbean tourism _c/ Jocelyne Guilbault and Timothy Rommen, editors.
264		1	_aDurham : _bDuke University Press, _c2019.
264		4	_c©2019
300			_aviii, 234 pages ; _c23 cm
504			_aIncludes bibliographical references (pages 207-226) and index.
505	0		_aIt sounds better in the Bahamas : musicians, management, and markets in Nassau's all-inclusive hotels / Timothy Rommen -- Touristic rhythms : the Club Remix / Jerome Camal -- Listening for noise : seeking disturbing sounds in tourist spaces / Susan Harewood -- All-inclusive resorts in Sint Maarten and our common decolonial state : On butterflies that are caterpillars still in chrysalis / Francio Guadeloupe and Jordi Halfman -- Sound management : listening to Sandals Halcyon in Saint Lucia / Jocelyne Guilbault -- Epilogue. The political economy of music and sound / Percy C. Hintzen.
520			_aThe contributors to Sounds of Vacation examine the commodification of music and sound at popular vacation destinations throughout the Caribbean in order to tease out the relationships between political economy, hospitality, and the legacies of slavery and colonialism. Drawing on case studies from Barbados, the Bahamas, Guadeloupe, Saint Martin, and Saint Lucia, the contributors point to the myriad ways live performances, programmed music, and the sonic environment heighten tourists' pleasurable vacation experience. They explore, among other topics, issues of authenticity in Bahamian music; efforts to give tourists in Barbados peace and quiet at a former site of colonial violence; and how resort soundscapes extend beyond music to encompass the speech accents of local residents. Through interviews with resort managers, musicians, and hospitality workers, the contributors also outline the social, political, and economic pressures and interests that affect musical labor and the social encounters of musical production. In so doing, they prompt a rethinking of how to account for music and sound's resonances in postcolonial spaces.
650		0	_aMusic and tourism _zCaribbean Area.
650		0	_aMusic _xSocial aspects _zCaribbean Area.
650		0	_aMusic _xEconomic aspects _zCaribbean Area.
650		0	_aTourism _xPolitical aspects _zCaribbean Area.
700	1		_aGuilbault, Jocelyne, _eeditor.
700	1		_aRommen, Timothy, _eeditor.
942			_2lcc
999			_c3584 _d3584
041			_aEnglish