| 000 | 01790pam a2200289 i 4500 | ||
|---|---|---|---|
| 001 | 6378553 | ||
| 003 | CaAEU | ||
| 005 | 20251029120424.0 | ||
| 008 | 130411s2014 nyua b 001 0 eng | ||
| 010 | _a 2013013774 | ||
| 020 | _a9780521184793 | ||
| 035 | _aocn869919142 | ||
| 040 |
_aDLC _beng _erda _cDLC _dOCLCO _dOCLCQ _dYDXCP _dAEU |
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| 041 | _aeng | ||
| 042 | _apcc | ||
| 050 | 0 | 0 |
_aN71 _b.M285 2014 |
| 090 |
_aN 71 M285 2014 _bAEU |
||
| 100 |
_aMather, George _926349 _eauthor |
||
| 245 | 1 | 4 |
_aThe psychology of visual art _b: eye, brain and art _c/ George Mather. |
| 260 |
_aNew York, NY : _bCambridge University Press, _c2014. |
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| 300 |
_axix, 195 pages : _billustrations ; _c25 cm. |
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| 504 | _aIncludes bibliographical references (pages [179]-190) and index. | ||
| 520 | _aWhat can art tell us about how the brain works? And what can the brain tell us about how we perceive and create art? Humans have created visual art throughout history and its significance has been an endless source of fascination and debate. Visual art is a product of the human brain, but is art so complex and sophisticated that brain function and evolution are not relevant to our understanding? This book explores the links between visual art and the brain by examining a broad range of issues including: the impact of eye and brain disorders on artistic output; the relevance of Darwinian principles to aesthetics; and the constraints imposed by brain processes on the perception of space, motion and colour in art. Arguments and theories are presented in an accessible manner and general principles are illustrated with specific art examples, helping students to apply their knowledge to new artworks. | ||
| 650 | 0 |
_aArt _xPsychology _926350 |
|
| 650 | 0 |
_aVisual perception _97326 |
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| 942 | _2lcc | ||
| 999 |
_c5114 _d5114 |
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