000			02777nam a22002897a 4500
003			OSt
005			20260511105853.0
008			260428b |||||||| |||| 00| 0 eng d
022			_a0208-600X
022			_a2353-4850
040			_aTBS _cTBS
041			_aeng
100			_aWejbert-Wąsiewicz, Ewelina _926916 _eauthor
245			_aFilm and cinema as a subject of sociological study _b: between tradition and the present _c/ Wejbert-Wąsiewicz, Ewelina.
260			_bActa Universitatis Lodziensis: Folia Sociologica, _c2020
300			_b89–110 pages.
362			_aVol. 73
490			_aActa Universitatis Lodziensis. Folia sociologica _vvol.73
505			_aRelations between sociology and cinema span over a hundred years. The author’s task is to reflect on this fact and, as a result, to present her own theoretical and methodological concept. Constructive framing is done in a historical perspective supplemented with methodological reflections using a variety of existing materials, scientific publications (library query) and the author’s own analyses. The basic research question concerns the state of the subdiscipline: what methodological, empirical and theoretical proposals have been developed; to what extent are they currently up to date or cultivated by scholars? A look at the broad heritage of the sociology of film and cinema allows us to see the gaps to be filled in in the area of empiricism and theory. This article does not address the reasons for this state of affairs in great detail, but merely indicates that an in-depth study of relationships and embedding data in the light of Bruno Latour’s actor-network theory or Pierre Bourdieu’s field concept could shed light on the issue from a different angle, in this case – the scope of the sociology of knowledge. One of the conclusions is that the sociology of film has a faint presence in the field of the sociology of art. The author tries to revive the old postulates of the Polish sociologists of culture and film (including A. Kłoskowska, C. Prasek, K. Żygulski), drawing theoretical inspiration from the philosophy of Ernst Cassirer and also using experience from her own research. What emerges as a result is a research model proposal (along with a research tool) in the field of the sociology of film/cinema, aimed at the cognition and comparison of images of reality.
630		0	_aB2 PBT Film Studies (BiM) _926907
650		0	_aCinema Films (Motion pictures) _926918
650		0	_aCinema Films (Motion pictures) _xHistory _926919
650		0	_aCinematography _xSocial aspects _926920
650		0	_aFilm _xHistory and criticism _926917
856			_uhttps://research-ebsco-com.hub.tbs-education.fr/linkprocessor/plink?id=d3d0e507-d0b9-353e-8532-fe20a861f172
942			_2lcc
999			_c5437 _d5437