Culture is bad for you

Contributor(s):

Material type: Text

TextLanguage: English Publication details: Manchester Manchester University Press,Description: xvii, 361 pages : illustrations (black and white) ; 20 cmISBN:

9781526144164

Subject(s):

Contents:

Is culture good for you? - Who works in culture? - Who consumes culture? - When does inequality begin in cultural workers' lives? - Is it still good work if you're not getting paid? - Was there a golden age? - How is inequality experienced? - Why don't women run culture? - What about the men?

Summary: Art and culture are supposed to bring society together. 'Culture is bad for you' challenges the received wisdom that culture is good for us. It does this by demonstrating how who makes culture, and who consumes it, are marked by significant inequality and social division. The book combines the first large-scale study of social mobility into cultural and creative jobs with hundreds of interviews of creative workers and a national public engagement project. Addressing the intersections between social mobility, ethnicity and gender, the book argues that, as currently organised, the creative sector damages us all as it strengthens the structural inequalities that it imagines it tears down. The book demonstrates that cultural jobs are the preserve of the most privileged, a 'creative class' in society, and always have been - there was no golden age for social mobility in culture. 'Culture is bad for you' is a powerful call to radically transform who gets in and who gets on in Britain's creative class.

Holdings ( 1 )
Title notes ( 2 )

Holdings
Item type	Current library	Call number	Copy number	Status	Date due	Barcode
Book	TBS Barcelona Libre acceso	HD9999.C9473 BRO (Browse shelf(Opens below))	1	Available		B02770

Art and culture are supposed to bring society together. 'Culture is bad for you' challenges the received wisdom that culture is good for us. It does this by demonstrating how who makes culture, and who consumes it, are marked by significant inequality and social division. The book combines the first large-scale study of social mobility into cultural and creative jobs with hundreds of interviews of creative workers and a national public engagement project. Addressing the intersections between social mobility, ethnicity and gender, the book argues that, as currently organised, the creative sector damages us all as it strengthens the structural inequalities that it imagines it tears down. The book demonstrates that cultural jobs are the preserve of the most privileged, a 'creative class' in society, and always have been - there was no golden age for social mobility in culture. 'Culture is bad for you' is a powerful call to radically transform who gets in and who gets on in Britain's creative class.